They’re quite like two men I know
who keep a steady rhythm:
chill, seldom prone to outbursts,
could be mistaken for low throttle
on occasion.
Odd they’re drawn to me,
a site of thunderous weeping
and murderous applause.
They’re quite like two men I know
who keep a steady rhythm:
chill, seldom prone to outbursts,
could be mistaken for low throttle
on occasion.
Odd they’re drawn to me,
a site of thunderous weeping
and murderous applause.
At any rate, there was Janis standing on my front stoop looking like something the cat dragged in then didn’t want. I hate telling it like this because she died in a bad way. But she looked damned ugly and kind of dirty.
“Doc,” she kept calling me, rubbing her scalp.
“It’s Chuck,” I told her more than once.
“Doc,” she kept saying.
“Who sent you?” I remember saying; or something close to it.
“Ain’t you Doctor Acid?”
It was Greenwich Village so that was almost a joke. Two feet away this guy was hawking passersby. Plus, she had a band. Why did she need to scratch around? She looked determined. I’ll give her that. Janis had this fierce determination that was kind of scary up close.
“Can I have a ticket to one of your concerts?” “You mean like a trade?” She was pushing that mop of hair off her forehead. It was hot and my building faced the sun in the afternoon. That hair was so tangled I thought of rats living inside and would she even know?
“I don’t have any dope,” I kept telling her. Finally I sent her to Original Louie in the next building.
“Which way?” She looked right to left up the street. Her see-through blouse had this sad little pink rose pinned on, some kind of paper flower hanging cockeyed so the safety pin showed. I could see her breasts sagging behind the blouse. They looked sad, too.
I asked if she would sing Me And Bobby McGee.
“Man are you crazy or what?”
Susan Isla Tepper is a twenty years published writer in all genres. Her current project is an Off-Broadway Play on the subject of art and life.
at fifteen, I bought
a fifth of Bombay gin, planning to
swill it down in a couple of hours, in between
coming home from school and before
my parents returned from work.
I sank half the bottle,
got plastered.
I tumbled on the hallway, staggering against
the walls. I put the bottle in
a plastic bag, hurled it out of
the window. aimed for
the trash cans, it crashed on the
street.
I shambled to bed, slept
inebriation away. my parents never
found out; it was the day I embarked
on the lifelong journey of destroying
my liver and liberating my soul.
I still recall the day I assassinated
innocence, proud for all the things
(good, bad, and felonies) I’ve done that made
me the slurring man that just
wrote this
poem.
Currently residing in Greece, George Gad Economou has a Master’s degree in Philosophy of Science and is the author of Letters to S. (Storylandia), Bourbon Bottles and Broken Beds (Adelaide Books), and Of the Riverside (Anxiety Press). His words have also appeared in various places, such as Spillwords Press, Ariel Chart, Fixator Press, Outcast Press, Piker’s Press, The Edge of Humanity Magazine, The Rye Whiskey Review, and Modern Drunkard Magazine.
in the cadillac i shot my load off the highway on a dusty road the sun going steady with a big black cloud a dog by the fence howling loud...