I once sacrificed everything in the world for her,
my sales cases filled with cold leads and racing magazines.
Ledgers a jumble of numbers drawn up the middle
and edges burned—I’m as solid a failure
at slinging vacuum cleaners as ice cubes bragging
they could resist mint, bourbon, sugar and heat.
Not having a sale and needing one fluffs me up,
pulls my soles up through my shoes on to the back
of my teeth where I stop, a worrisome son of man.
I can’t talk my talk with her anymore—a clown fish
in an anemone put off by the searching fingers inside
her thoughts waving in the salt. She’s gone.
Now, I am a meaningless collection
of vinyl records to entice you near me for a night
of salacious boogie-butt screwing—the Grappelli,
the Reinhardt, the Brubeck, the Davis, the Coltrane,
the Mingus, Queen and the Tubes—but still I do better.
I find stillness deep in a world made for love,
a field of swept roots and tubers and dewy lettuces.
It’s that I’m tired, talking about talking about talking
about being a man. I feel like a ghost in need of security.
Planting a bed. Burying. Slow the beat. Blues and roots
fill me. Memories of pause.
Manny Grimaldi is a father of two beautiful children that receive letters in the mail from him when he isn’t with them, and a Kentucky poet. He is the author of the full length poetry collection Riding Shotgun with the Mothman, and chapbook ex libris Ioannes Cerva (anonymus scriptus). During the year he also serves as managing editor for Lexington, Kentucky’s Yearling Poetry Journal under Workhorse Writers.
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